Hunger enters stage right wearing a tight fitting black costume, a skeleton painted on the front and back. Hunger walks to the edge of the stage purposefully, then in a strolling fashion back to the house. Hunger peeps into the windows, inspects the adjacent root cellar, goes back to the dilapidated house, and enters. The … Continue reading Pirates in Love, Walking Potatoes, and Barboncito; the Pageants and Plays of the Bureau of Indian Affairs
