Norman Rockwell and his Dam Painting

Today’s post is written by Cody White, Archivist at the National Archives at Denver. “That’s a mechanical drawing . . . where’s some human interest?” posed the famous artist as he took in the vista of Arizona’s 710-foot-tall, 1,560-foot-wide Glen Canyon Dam. The Bureau of Reclamation (BOR) staffers accompanying the artist—who at that point in … Continue reading Norman Rockwell and his Dam Painting

The War after the War: the American Indian Fight for the Vote after WWII

Today's post is written by Cody White, Archivist at the National Archives at Denver and Subject Matter Expert for Native American Related Records “We all know Congress granted the Indian citizenship in 1924, but we still have no privilege to vote, we do not understand what kind of citizenship you would call that.” - Pvt. … Continue reading The War after the War: the American Indian Fight for the Vote after WWII

Redheaded Bertha and William Greene: Persecuted Love in the Arizona Territory

Today's post is written by Kimberly Gorman, an Archives Technician at the National Archives at Riverside, CA Currently, I am working on processing records from Record Group 21, Records of the District Courts of the United States, which is the largest collection of records we have here at the National Archives at Riverside.  RG 21 … Continue reading Redheaded Bertha and William Greene: Persecuted Love in the Arizona Territory

How the West was Won: Marshal Dake, the Earp Brothers, and the Tombstone Shootout

On October 26, 1881, a 30-second gunfight became the stuff of legend. Today marks the 130th anniversary of the shoot-out at the O.K. Corral, and to commemorate the occasion, Katie Beaver, a summer intern in textual processing, wrote the following post. One of the most well-known stories of the “Wild West” comes from Tombstone, Arizona: … Continue reading How the West was Won: Marshal Dake, the Earp Brothers, and the Tombstone Shootout